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Panorama 2022

Jezabel

Venzuelian director Hernan Jabes’ third film is a bold and surprising erotic psychological thriller.
In a country where political chaos reigns, a group of upper class privileged youth – Lolo, Caca, Eli and Alan, live carelessly amongst drugs, sex and petty crimes, until one day Eli is brutally murdered. 16 years later Alan is experiencing a beautiful romance with an author who specialises in unsolved murders. The memories start to resurface and the haze of drugs alcohol dissipates and reveals an unexpected truth.
“Jezabel” is a film that keeps the audience on the edge of their seats, with many surprising turns and twists and gives us a dazzling performance by Gabriel Agüero as Alan.

Viewing is 18+ due to explicit sex scenes.

Camila Comes Out Tonight

Camila’s entire world is thrown into a spin when her mother moves the family to Buenos Aires. She starts attending a new school, million miles away from her liberal world view. Politically opinionated Camila is like a breath of fresh air to the other students and she quickly draws the attention of fun loving Bruno and Clara. Even though Bruno is nothing like the boys Camila dated in the past, it’s the flaming haired Clara that invokes something stronger in Camila’s heart. But Camila is unaware that Clara has a secret that can ruin their budding relationship before it even begins.
Director Inés Barrionuevo brilliantly captured the teen spirit in all its chaotic glory, and actress Nina Dziembrowski is absolutely mesmerizing as Camila.

We Will Never Belong

Adolescence can be tough, especially for young queer girls who haven’t yet fully formed and accepted their identity. Emi recently discovered that her mother is in a loving relationship with another woman and she’s not handling it well. She leaves her mother and returns to her birthplace to live with her father and his new family and spends more time with her maternal grandmother. Everything there is a lot less confusing until her intriguing step-sister shows up. Soon Emi realizes why she’s been having such a hard time dealing with her mother choosing to live her life freely.
“We Will Never Belong” delicately traces the journey of one girl to find her truth. Director Amelia Eloisa’s debut film does that with plenty of style and grace.

Director in attendance

God Save the Queens

It’s hard being a drag queen in LA, that’s why retreats are so important. In one of those care-vacations we meet Rock Rita (Laganja Estranja) and Stevie (Alaska Thunderfuck) – a former successful duo that fell apart over a mutual ex. They are joined by Marmalade (Kelly Mantle) an aging veteran queen who is struggling to stay relevant in a culture that idolizes youth and beauty and Gigi (Jordan Michael Green) a young queen desperate to get her big break with a show no-one wants to see.
Actress Jordan Danger (TV series “Eureka”) in her debut film as a director brings a fun dramatic comedy that offers a funny and loving look on the artists beneath the make-up and the eleganza.
Other notable performances in the film by Luenell (“Hacks”), Peter Facinelli (“Twilight”) and “RuPaul’s Drag Race” stars Michelle Visage, Manila Luzon and Honey Devenport.

Jeannette

Jeannette isn’t like anyone you’ve met before. She’s a bodybuilder, personal trainer, single mother, lesbian and one of the survivors of the massacre at the Pulse club in Orlando, Florida where 49 people were killed and 53 injured.
This film begins at the wake of that tragedy and follows Jeannette’s journey to healing, as she finds support and solace through the community. The film gives us a glimpse of the tense relationship between Jeannette and her conservative mother who refuses to accept her daughter’s sexuality, as well as Jeannette’s trip to Puerto Rico to help her family after a devastating hurricane.
Director Maris Curran opens a window into the life of one strong, brave, but also vulnerable woman. Curran shows the complex and humane character of Jeannette and all its aspects, and her way of dealing with the trauma and loss after the terrible massacre. The result is empowering and brings to the light an inspiring woman.

Additional screening: Rosh Pina Cinematheque 28.10, 16:00

Mama Bears

Director Daresha Kyi has created a moving and intimate documentary of how a mother’s love can change the world.
“Mama Bears” is the story of women who let almost every aspect of their lives be completely remodeled by love. Even though they grew up in an Evangelistic fundamentalist Christian communities, the “Mama Bears” group members are willing to risk the loss of family, friends and their religious community in order to keep their children safe, even if by doing so they challenge their own entire belief system and tear apart their own whole world view of politics, religion, faith and love.
The result is a gripping social documentary about the battle against LGBTQ-phobia these brave women lead.

Additional screening: Rosh Pina Cinematheque 29.10, 18:00

Chrissy Judy

Everyone has this friend that can’t seem to get their life in order, but you can’t help loving them despite the trail of mess they leave in their wake. For 30-something drag queen Chrissy it’s her BFF Judy, a perpetually messy drag queen who always drinks more cocktails than she should. After spending years in the bar scene of New York, Judy is convinced that this summer their drag show will get the break they’ve been waiting for, but Chrissy has different priorities, which force a very disappointed Judy to take a hard look on her own life as a drag artist and rediscover her true self.
This dark comedy gives us a glimpse into the underbelly of queer culture and struggles gay men face in the pursuit of love, acceptance, romance and identity. While exploring the universal pain of drifting apart from your best friend, the question of “What do you do when the family you’ve chosen doesn’t choose you back anymore?” arises.

Unidentified Objects

An unusual road-trip comedy with a unique charm. Peter, a “college graduate gay midget” by his own words, is a recluse in his book-laden apartment, mourning the loss of his best and only friend. His crushing loneliness ends when his weird neighbour Winona knocks on his door with an unusual request – she wants to borrow Peter’s car to go to Canada, where she believes that in a faraway field aliens will beam her up to their spaceship.
The resulting film is directed with exceptional visual talent by Juan Felipe Zuleta and provides its viewers with a unique queer film. “Unidentified objects” benefits from wonderful performances by Sarah Hay and Matthew August Jeffers (“New Amsterdam” TV series) in the leading roles, which earned the latter the acting award in the Los Angeles queer film festival.

You Can Live Forever

In the early 90’s, following her father’s death, a queer teenager Jaime, is sent to live with her fundementalist Jehovah Witnesses relatives. Soon Jaime forms an unexpected connection with Marike. Both youth find themselves instantly attracted to each other and begin a secret affair. But when their attraction is becoming too obvious to hide, their community does everything in its power to break the young couple and force each girl to make life changing decisions.
In their debut film, directors Mark Slutsky and Sarah Watts deliver a drama with a fresh look on first love and forbidden love. Anwen O’Driscoll and June Laporte portray the two young heroines with unapologetic exuberance.

Additional screening: Haifa Cinematheque 4.11.2022

Blessed Boys

In the sunny Sanita quarter of Naples, Italy, a working-class neighbourhood, where everyone knows each other, two inseparable friends live in a protected bubble until their friendship is put to the test.
Mario (Vincenzo Antonucci) and Lino (Francesco Pellegrino) are two young men, born and raised in Sanita. They still never left the city to explore the world. When Lino’s younger sister convinces the locals she’s a saint, who can perform miracles, and gains their admiration, Lino’s destiny changes abruptly. Free from the financial responsibility for his mother and sister, he is able to imagine a life outside the slums for the first time. Meanwhile, Mario is experiencing an increasing attraction towards his best friend which he didn’t notice before now.
Director Silvia Brunelli’s debut film is Italian cinema as we love it: funny, bold and housing a plethora of colourful and humane characters. This is a film that confronts us with the differences between sacred and secular, old world and new world.

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