Huesera

This was supposed to be the best time of Valeria’s life. She and her husband Raul finally manage to make one of their dreams come true – having a child.
At first everything seems perfect, but as the pregnancy progresses, Valeria’s mood starts to change. The closer she comes to her due date, the more Valeria is plagued by heavy self-doubt and fear she can’t shake off. Visions of a disturbing, spider-like presence and other supernatural threats, all thanks to a being called ‘La Bonzara’. Valeria discovers she’s not the only one in her family who had to face the ancient demons and she decides to confront them. She reconnects with her old life, including her first love, Octavia.
In her debut film, director Michelle Garza Cervera delivers an intense and raw horror film, complete with very disturbing images that will raise goosebumps. Actress Natalia Solián as Valeria creates a character that has to make some very hard choices, but at the same time we feel a lot of empathy for.

In association with the Embassy of Mexico

Mars One

This darling of the Sundance Film Festival 2022, brings to the screen the story of growing up in a working class Brazilian family, when in the background rage the social and political upheavals after the elections that made Bolsonaro president in 2019.
Eunice is a young student falling in love for the first time. She meets Joana in a club and they form an intimate connection. But Eunice is hesitant about sharing her love and sexuality with her parents. Deivinho, Eunice’s younger brother, is also hiding a secret – he wants to be a scientist and one day travel to space, but his father dreams of his son becoming a successful professional football player and getting their family out of poverty.
While avoiding all the clichés of such films, director Gabriel Martins brings us the story of a first love, where it seems Eunice is the adult one, while her parents never really matured.
Mars One” brings to life a familial, humane drama, wrapped in all the colours and music Brazil has to offer.

Additional screening: Haifa Cinematheque 1.11.2022

You Can Live Forever

In the early 90’s, following her father’s death, a queer teenager Jaime, is sent to live with her fundementalist Jehovah Witnesses relatives. Soon Jaime forms an unexpected connection with Marike. Both youth find themselves instantly attracted to each other and begin a secret affair. But when their attraction is becoming too obvious to hide, their community does everything in its power to break the young couple and force each girl to make life changing decisions.
In their debut film, directors Mark Slutsky and Sarah Watts deliver a drama with a fresh look on first love and forbidden love. Anwen O’Driscoll and June Laporte portray the two young heroines with unapologetic exuberance.

Additional screening: Haifa Cinematheque 4.11.2022

Blessed Boys

In the sunny Sanita quarter of Naples, Italy, a working-class neighbourhood, where everyone knows each other, two inseparable friends live in a protected bubble until their friendship is put to the test.
Mario (Vincenzo Antonucci) and Lino (Francesco Pellegrino) are two young men, born and raised in Sanita. They still never left the city to explore the world. When Lino’s younger sister convinces the locals she’s a saint, who can perform miracles, and gains their admiration, Lino’s destiny changes abruptly. Free from the financial responsibility for his mother and sister, he is able to imagine a life outside the slums for the first time. Meanwhile, Mario is experiencing an increasing attraction towards his best friend which he didn’t notice before now.
Director Silvia Brunelli’s debut film is Italian cinema as we love it: funny, bold and housing a plethora of colourful and humane characters. This is a film that confronts us with the differences between sacred and secular, old world and new world.

Breaking the Ice

29.10 and 30.10 screenings include Q&A with the director

Director Clara Stern’s debut film “Breaking the Ice” premiered at the 2022 Tribeca Festival. In this film Stern brings to the screen a story of what happens when someone with a very rigid and uncompromising view on life meets the exact opposite – the side she yearns to live and experience.
Alina Schaller is Mira, who sometimes seems to be carrying the weight of the entire world on her shoulders. She’s the captain of a women’s ice hockey team and the heiress to the barely financially surviving vineyard. She is taking care of her grandfather, whose Alzheimer is progressing rapidly, and her younger, irresponsible brother, Paul, returns home after being gone for a long while.
When a new, spontaneous, free-spirited young woman joins the team, Mira finds herself being swept into a surprising and freeing affair, maybe even more freeing than she can actually afford to have.
Breaking the Ice” is a romantic sport drama about the freedom to be who you are with no limitations.

Additional screening: Rosh Pina Cinematheque 2.11, 20:30
Jerusalem Cinematheque, 2.11 – 19:00

In association with the Austrian Cultural Forum

All Man: The International Male Story

More than scandalous fashion, hot male models and underwear that leaves nothing to the imagination, ”All Man: The International Male Story” is a three decades journey of an era when the The International Male magazine influenced the world of fashion, perceptions of masculinity and gay rights. In its heyday, the magazine brought in over 120 million dollars, and reached a circulation of over 3 million copies of each issue. The International Male target audience was both gay and straight men. Pictures of sensually dressed men were the gateway to a fantasy world that gave the perfect escape from homophobia and the AIDS pandemic. For straight men the magazine gave the opportunity to take fashion risks and enjoy a freer expression of sexuality without threatening their masculinity and sexual identity.
All Man: The International Male Story” is an aesthetic and uniquely cultural nod to the 80’s & includes unseen before photographs.

Additional screening: Rosh Pina Cinematheque 4.11, 14:00

Circus of Books

For over 35 years, the gay porn shop “Circus of Books” gave the members of the Los Angeles LGBT community a safe space to celebrate themselves without judgment. Not many people knew that the owners of the shop were Karen and Barry Mason – she was an ex-journalist and he was a special effects master for big Hollywood films such as “2001: A space odyssey” and “Star Wars”. A straight, religious, Jewish couple with three children that attended a religious Jewish school and went to Synagogue on the weekends and were never aware of their parents occupation (and neither did friends and close family members). The Masons witnessed the HIV plague first hand and lost a generation of treasured employees. They became social activists, and yet throughout the whole period never identified as such – only as entrepreneurs serving clients the world ignored, until the internet had ruined their business.
Circus of books”, which was produced by Ryan Murphy, is Rachel Mason, the couple’s daughter, first documentary film. For the first time she puts a camera in front of her parents, the least radical people she ever knew. She asks how they became the biggest distributors of gay porn in the the USA and why did Karen react so negatively when her own son came out of the closet.

The screening is courtesy of Netflix.

Petit Mal

This is the third movie to be screened at TLVFest by the Spanish director working in Colombia – Ruth Caudeli (“Leading Ladies”, “Second Star From the Right”). In her new film she brings to the screen once again an intimate, sexy and full-of-feelings creation that deals with queer women and their emotional relationships.
Laia, Martina and Anto live together in a loving thruple. When Laia goes to shoot a film she leaves Martina and Anto alone in their big country cottage. Laia is the glue that binds the two women together and now Martina and Anto will have to learn to manage alone. At the beginning each one is absorbed in her own world, but slowly the walls are crumbling down and they learn they have quite a lot in common. As Laia’s work engagement extends more and more, the two women get closer and closer.
Actresses Silvia Veron and Ana Maria Otalora are excellent in the leads, and Cuadeli herself portrays a very graceful Laia.