Between red dirt hills, blue skies and green fields of agave lies “Dos Estaciones” (Two Seasons), a humble local Tequila factory, struggling for its survival against the big companies that are taking over the production of the traditional Mexican drink. Heading the small factory is Maria Garcia, the heiress of the family business and the one who keeps the whole community together as the main employer in town. To help her oversee the company she hires Rafaela, whose vibrant presence gives hope both to the factory, who is in dire need of a miracle, and for Maria. When a plague and an unexpected flood cause irreversible damage, Maria needs to do all in her power to save the main source of income and pride for her community.
“Dos Estaciones” describes the country life and the tradition and art of making Tequila in an effortless and magical way.
Theresa Sanchez in her debut role is taking the screen by storm as a strong woman who fights for the family tradition and goes to war against the foreign corporations that are trying to take over her small town.
Renowned Portuguese director João Pedro Rodrigues’ new film was screened this year during the Director’s Fortnight event at the Cannes Film Festival. It is a queer musical full of humor, camp, sex and nudity.
In the not-so-near future (the year 2069), King Alfredo of Portugal, is reminiscing on his deathbed about his youthful, rebellious experience. It was a tough summer, the kingdom was consumed by massive wildfires and in those days Alfredo was a young, strong headed prince. He decides to join the fire brigade, to help with the national crisis, despite his family’s objections. In the field he has to deal with a tough commander who isn’t exactly welcoming, hunky firefighters who aren’t too thrilled with the royal addition – but Alfredo will also meet the love of his life and experiment with his most secret desires.
This is no doubt this year’s most fresh and light-hearted film by one of our time most intellectual and intelligent queer filmmakers.
The unique Portuguese filmmaker João Pedro Rodrigues was TLVFest’s guest in 2010 when we screened his films, amongst them the ground breaking “O Fortuna”(2000) and “To die like a man” (2009).
Viewing is 18+ due to nudity.
In association with the Embassy of Portugal
An important and timely collection that brings to the big screen stories of the LGBTQ community in Ukraine.
Two films that describe the day to day reality in the country during the war against Russia, a movie that focuses on a young transgender activist and a dramatic comedy about the wedding of a young Roma man facing a fateful decision.
Duration: 75 minutes.
The surprising comic and romantic drama of the year brings to the big screen a refreshing and stigma breaking character.
Cookie Kunty is a talented Parisian drag queen. Everyone who is familiar with the world of drag knows how hard it is for drag queens to find love. Therefore, when Cookie meets 29 years old Baptiste, she finds it hard to believe that he’s interested in her, but Baptiste is immediately mesmerized by Cookie. At first he’s driven by the idea of creating a photography project with Cookie and sinks into her world, but eventually starts to develop a relationship with Quentin, the young man behind the drag queen. The problem is, Baptiste has never been in a relationship with a man before and he is in a long term relationship with Samia, a hospital nurse, who also works at the HIV clinic.
In his debut film director Florent Gouëlou provides the audience a cinematic experience rich in colors and music, and featuring a different and surprising love story, which is also a coming out story, the likes of which was never before seen on the big screen. Actor Pablo Pauly is wonderful as Baptiste and Romain Eck as Cookie/Quentin builds a moving and complex character.
The result is pure enjoyment and it is certainly no surprise that “Three Nights a Week” was chosen as the opening film of the 2022 Critics’ Week of the Venice Film Festival.
Christophe Honoré’s (“Dans Paris”, “Love Songs”, “Man at Bath”) new film is an autobiography, and for the first time brings the director’s story to the big screen.
“Winter boy” comes to the TLVFest after its international debut at Toronto Film Festival and following the win for Best Actor for the rising star Paul Kircher in the San Sebastian Film Festival.
Lucas (Paul Kircher) is going to a boarding school, far from the small town where his parents live, and has a boyfriend, a fellow student. Lucas has endless joie de vivre and he can’t wait to graduate and join Quentin (Vincent Lacoste), his older brother, in Paris. A sudden tragedy turns Luca’s world upside down and everything he took for granted is suddenly taken from him. Lucas is filled with sadness and despair, lost in his own pain. His mother Isabelle (Juliette Binoche in a very moving role) doesn’t really know how to help her young son. Lucas joins his older brother in Paris, but Quentin is not emotionally available to support his young sibling, and so 17 years old Lucas has to find his own path, looking for solace in the cold wintery Paris, through dating apps and problematic sexual encounters.
Paul Kircher is perfect as Lucas, a blunt young man who cannot express, contain or release the enormous pain he’s carrying. His scenes with Juliette Binoche create intense and heartfelt complexity.
“Winter boy” gives us an intimate glimpse into the world of a teenager on the cusp of adulthood and the journey of that boy to try and find his way back to hope.
Viewing is 18+.
Trip around the world with a mix of international short lesbian films: a camp musical from Korea, a Turkish wedding in Amsterdam, a group of queer women going for a holiday on the lake and a bus full of hormonal teenagers. There is also a hilarious thesis on the role of women in the world of cinema. This and more in our international lesbian mix.
Duration: 90 minutes.
.Duration: 80 minutes
.Duration: 75 minutes
Duration: 85 minutes