Houses

Sasha (28) is non-binary, having relocated to Israel from the former Soviet Union with their family in 1990, back when he still had his two ponytails.

Today, Sasha owns nothing more than a car and a notebook and tries to understand why.

They write in his notebook: “A house has no function if it is not lived in, the body has no value if we do not identify with it, and the heart has no comfort if it has no love״.

And goes back on a transformational journey between the houses where he used to live. Weaving together past and present, male and female, reality and fantasy, Sasha pieces memories, faces old traumas, and their deepest fears— all in pursuit of inner peace and self-acceptance.

Proud Jewish Boy

They said he started it all.

 

On November 7, 1938, a gentle looking seventeen-year-old Jewish boy, an illegal resident in France, entered the German embassy in Paris and fired three bullets at German diplomat Ernst vom Rath,

Two days later, vom Rath died of his wounds. And Joseph Goebbels, the Nazi propaganda minister, sent the German people to take revenge on all Jews. More than a thousand synagogues were burned, hundreds of Jews were murdered or committed suicide, thousands of businesses were looted, and tens of thousands of men were sent to concentration camps.

Goebbels, the master of propaganda, called it “Kristallnacht”.

“Proud Jewish Boy” is a fascinating documentary journey following the story of the young assassin Herschel Grynszpan, the boy accused by Jews of being responsible for the pogrom that started the Holocaust and by the Germans of starting World War II.

Through new historical discoveries, rare archival materials, family members and researchers who investigated the affair, the film brings for the first time the full, yet untold story of the circumstances that led to the assassination, and the dramatic sequence of events that followed it, an unknown story that culminates in a battle of wits between Goebbels, the second most powerful man in the Nazi regime, and the “poor Jewish boy” from the infamous Leine neighborhood in Hanover , who refused to turn the other cheek.

The End of a Woman – Sarit Ahmad Shakur

The tragic story of Sarit Ahmad Shakur, an 18-year-old LGBTQ+ woman from the Druze village of Kiser al-Sami, who was murdered on June 9, 2023. The episode follows Sarit’s difficult life, her struggle for love and understanding from her family, and the bitter path that led to her tragic death. This unique episode is narrated through recordings, testimonies, experts, and friends, revealing for the first time the indictment against the suspects in the murder and serving as an indictment against the traditional and conservative society that struggles to accept the sexual identity of young people in the Arab community.

TEN

Israel, 2025, 3 minutes

Music video for the song by Tom Schneid.

Director: Tom Schneid
Script: Tom Schneid
Producer: Tom Schneid
With: Tom Schneid, Jenny Penkin, Dana International

Mechiot Kapaiim

Israel, 2025, 4 minutes, Hebrew with Hebrew subtitles

In the song, Yuval describes loneliness and a desperate need for external validation. Sn a Friday evening, instead of a family Shabbat dinner, he finds himself alone in an apartment in Jerusalem, lying on the bed. He waits for likes and comments, he’s on Grindr, and no conversation leads anywhere. He’s hungry, searching for warmth and closeness, but encounters coldness, indifference, and the void only grows bigger and bigger.

It’s a personal experience, but it also reflects a broader phenomenon among gay men — in apps, in sex, in loneliness. The video is black and white, bleak, drawn from horror aesthetics. Heavy makeup, an empty and lonely Shabbat table, cold transparent plastic suffocating him, a flamenco dancer symbolizing the storm within, and a computer on the Shabbat table.

Director: Guy Hazam
Producer: Guy Hazam

Ima

Israel, 2025, 3.56 minutes, Hebrew with Hebrew subtitles

In the song and music video, Yuval explores his relationship with his mother — from childhood to the present day — from a personal and proud perspective. Beyond the personal connection, Yuval also examines the relationship between gay men and their mothers in general — a unique and often very strong bond, with a very deep understanding that begins already from the closet and continues through later stages. Questions about the closet arise already in childhood — “You didn’t always know, but you guessed, I’m sure.” Issues of body image during adolescence are also addressed — “Carelessly plucking hairs — you came with tweezers and shaped my eyebrows.” There’s also the need to help his mother understand the difficulty of finding a partner within the community — “When you ask about a boyfriend, you want me to be happy. What can I do, Mom, when I have nothing at all?” It’s hard for me with boys, and it’s hard for boys with me. I wish it were easier; I’d bring him to Friday dinner.” The video itself is colorful — in terms of backgrounds, styling, and imagery: a pile of laundry, sitting on a chair in a classroom, a bathroom — images from childhood, colors, and desire.

Director: Guy Hazam
Producer: Guy Hazam

The Boy With The Boogie

Israel, 2025, 4 minutes, Hebrew with Hebrew subtitles

Music video for the single by Udi Schneider.

Director: Tamar Miron
Script: Tamar Miron
Producer: Maxim Pevzner
With: Udi Schneider

All That Is Left

Israel, 2025, 4 minutes, Hebrew with Hebrew subtitles

A video clip for the Rutie Stern song – All That Is Left – a lesbian love song that was written in time of war.

Director: Lior Klein Stern
Script: Tomily Shani and Lior Klein Stern
Producer: Lior Klein Stern

Pipes

Israel, 2024, 4 minutes, Hebrew with Hebrew subtitles

“Pipes” is an experimental, multi-layered music video that unfolds as a collage of images and thoughts. Blending dense editing with overlapping visuals, it captures the tension between confusion and clarity, suffocation and freedom. What emerges is an intimate journey through emotional chaos, tracing the delicate line between restraint and release.

Director: Noam Peri
Script: Noam Peri
Producer: Noam Peri
With: Noam Peri

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