Plainclothes

Lucas is a young police officer whose main job is to haunt known gay cruising sites and arrest whoever he catches red-handed.

When he comes across Andrew, an older man who falls into Lucas’ trap, an unexplained feeling is stopping him from arresting Andrew and Lucas finds himself dealing with feelings he is used to bury.

The two embark on a secret relationship, a series of intimate and emotional meetings will lead them to a boiling point.

Director Carmen Emmi’s debut film, which won the Ensemble award of the 2025 Sundance Film Festival is a thrilling, smart and moving drama starring Russell Tovey and rising star Tom Blyth in an impressive role.

The Best Friend

Closing the TLVFest with a smile!

After a crisis with his partner, Lucas (Vinícius Teixeira) goes alone to the quiet beach of Canoa Quebrada in Brazil, where he reconnects with Felipe (Gabriel Fuentes) , an old classmate who works as a tour guide. Their reunion brings to the surface feelings that were buried deep and forces Lucas to face a dilema- go back to his current relationship or surrender to an old passion?

Set against the gorgeous backdrop of the beach, and a soundtrack laced with hits of the 80’s and 90’s, this film is a celebration of love, self discovery and the beauty of the north-east coast of Brazil.

Sally

Sally Ride was the first American woman who went to space, but under the amazing career she kept a secret. Sally had  a romantic relationship with a woman for 27 years.

For the first time Tam O’Shaughnessy, Sally’s partner, reveals their secret affair and the price they had to pay so that Sally could fulfill her career.

Director Cristina Costantini brings to the big screen the unbelievable story of Astronaut Sally Ride and gives us a glimpse of her life outside the headlines in the papers and the talk shows Sally appeared in- her journey outside of earth’s atmosphere and the landing back into very conservative USA of the 80’s and the sexist and LGBTQ-phobic environment of NASA.

The film reveals the love story of two fascinating women, and the legacy that Sally Ride left that inspires many girls and women to dream of the stars and beyond.

Courtesy of Disney+

Jimpa

Anna (Academy Award Winner Olivia Colman) takes her non-binary teenager, Frances, to Amsterdam to visit their gay grandfather Jim- nicknamed Jimpa (Academy Award Nominee John Lithgow), an elderly decadent patriarch who’s having a hell of a time in Amsterdam. Frances (Aud Mason-Hyde) wants to stay with Jimpa for a year and experience the big queer city to the fullest. This will force Anna to reconsider her beliefs regarding parenthood and eventually face her past and her complex relationship with her own father.

In 2014 we screened Sophie Hyde’s phenomenal debut film “52 Tuesdays”, in the time that passed she directed Emma Thompson in the comedy “Good luck to you, Leo Grande” and now she returns with a personal queer film. “Jimpa” is a loving and thorough look on complex inter-generational relationships in family, friends and lovers.

Hot Milk

Straight from the official competition of the Berlin Film Festival comes the debut directorial of the excellent screenwriter Rebecca Lenkiewicz who wrote the Oscar winning screenplay for “Ida” and the lesbian drama “Disobedience”.

“Hot Milk” is a story of a mother and daughter unfolding during a hot Spanish summer and is based on the critically acclaimed novel by Deborah Levy. Sofia (Emma Mackey, star of “Sex Education”) is taking care of her demanding mother Rose (veteran actress Fiona Shaw) who is wheelchair bound. They come to Spain to meet with a local doctor (Vincent Perez) who is known for his unconventional treatments to find a potential medicine for the mother’s mysterious illness.

The visit takes a turn when the young girl meets a German woman on the beach (Vicky Krieps “Love Me Tender”) and allows herself for the first time to test her boundaries and experience sexual enjoyment for the first time on her way to unshackle herself from her mother and towards self-fulfillment and adolescence.

In her debut directorial Rebecca Lenkiewicz explores the interpersonal relationships between a mother and her daughter and creates a thrilling psychological drama that burns itself under the skin. Mackey and Shaw are excellent in the leading roles.

A Wolf Among the Swans

A new film by screenwriter Guillermo Arriaga (“21 Grams”, “Babel”) and starring the wonderful Argentinian actor Dario Grandinetti (“Talk to Her”, “Wild Stories”)

The film, which was shot in Rio de Janeiro and Paris, was inspired by the story of a Rio-born dancer, Thiago Soares – portrayed by Matheus Abreu and the unique relationship he developed with his mentor – Cuban-born Dino Carerra (Grandinetti). Soares, who grew up on the outskirts of Rio, used to perform with his friends on the streets of the city during the day and at local dance competitions at night. In between he tried to pick up girls and make a living doing odd jobs.

When he’s offered a scholarship to join a professional ballet school Thiago Soares doubts he’d survive even a day there, but a meeting with Dino- a sharp and brilliant Cuban dance teacher (who also hides an illness that was not to be talked about in those years) will change the course of his student’s life and turn him into an international star and the lead dancer of the Royal Ballet in London for 14 years.

“A Wolf Among the Swans” is an inspiring film with precise cinematography, snappy editing and a wonderful soundtrack. With a well written script and superb performances from its cast the result is a thought provoking film about a firm friendship between two men from completely different worlds and the ability to change and become the best version of oneself.

Love Letters

It’s 2014 and Nadia (Monia Chokri) and Céline (Ella Rumpf) are expecting their first child.

37 years old Nadia is carrying the baby. Her partner, Céline, is a 32 years old musician and a DJ. Céline is still trying to find her place and a sense of legitimacy amongst her judgmental friends, her mother (a renowned pianist who spends most of her time travelling the world) and the French law which isn’t very forthcoming towards same-sex couples who choose to be parents.

Director and screenwriter Alice Douard based the script on her personal experiences when she went through the exact same process on her way to motherhood. With a loving look and plenty of empathy she explores her characters, their couple’s conflicts and personal dilemmas.

César award winners Ella Rumpf (“Raw”, “Marguerite’s Theorem”) and Monia Chokri (“Love Me Tender” and Xavier Dolan’s films “Lawrence Anyway” “Heartbeats”) portray the roles of Céline and Nadia with sincerity, love and plenty of empathy and gives us the feel of two women in love who undergo an alternative and powerful experience- this film proves once again just how great are those two actresses are.

In association with the Embassy of France & Institut français de Tel Aviv

A Second Life

After she set the screen on fire in the masterpiece “Titane” (2021 Winner of Cannes Film Festival), actress Agathe Rousselle returns to the big screen with a small, intimate and moving film.

Elisabeth (Rousselle) is recovering from a breakup from her partner. She dives headfirst into her work as a concierge in Paris and accompanies rude tourists to their Airbnb apartments that they have rented for the Olympic Games. This is a stressful job that requires her to travel all over the city. Her sole repose is disconnecting her hearing aid and staring at Monet’s “Water Lilies”.

Everything changes when she meets a young and energetic tourist (Alex Lawther “The End of the Fucking World”) while the city around her is buzzing with energy for the Olympic Games, and he leads Elisabeth on unexpected adventures.

“A Second Life” is a piece about the unexpected connections we make through life. The film touches on subjects such as mental health and disabilities with a lot of charm. This film was made in the streets of Paris and manages to capture the true magic of the French capital, without all the cliches.

Blue Moon

“Blue Moon”, Richard Linklater’s delightful new film, centers on one important night which changes the course of life for one Lorenz Hart (“Blue Moon”, “The Lady Is a Tramp”, “Manhattan” and “My Funny Valentine”). This particular night happens to be March 31st, 1943, which is the opening night of the Broadway production of “Oklahoma!”.

During this night, in real time, Hart discovers that Richard Rodgers, his creative partner, abandons their project in favor of a new partnership with Oscar Hammerstein, with whom he writes the successful plays that include: “Carousel”, “The King and I”, “South Pacific” and “The Sound of Music”.

Ethan Hawke delivers an impactful performance as Lorenz Hart, a closeted alcoholic, who also likes to be in the presence of young women. One of these women, played by Margaret Qualley (“The Substance”). Bobby Cannavale portrays a bartender. Richard Rodgers, Hart’s friend and secret lover, who leaves him abruptly because of his unstable nature, is perfectly portrayed by Andrew Scott (“All of Us Strangers”).

“Blue Moon” captures an especially painful moment during an evening which marks the end of a career for a tortured genius, while doing so with a comedic touch and a painfully sobering style. All this results in 100 minutes which are unique and especially amazing.

Love Me Tender

Actress Vicky Krieps seem to be everywhere these days- her big break was at Paul Thomas Anderson’s “Phantom thread” alongside Daniel Day-Lewis, “The survivor” with Ben Foster, the horror thriller “Time” by director M. Night Shayamalan and “Corsage” where she played Austrian Empress Sisi.

Now she enters the shoes of a woman who is fighting for custody over her son, in a performance that can only be described as tour de force. Krieps manages to move, make laugh, hurt and simply dominate the screen for 134 minutes.

At the end of one summer Clemence tells her ex-husband that she is having romantic relationships with women. Her life falls apart when he demands sole custody over their son, claiming she is unstable. Clemence is shocked to discover the French law is on her ex-husband’s side- now she must go through a line of social workers and fight to prove that she is a fit mother while still maintaining her identity as a free woman.

In her second feature film, director Anna Cazenave proves she is destined to be a brave and meaningful voice in current French cinema.

In association with the Embassy of France & Institut français de Tel Aviv

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